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Daisy Edgar-Jones wore a cream-and-purple corset set from Chloé’s Spring 1999 collection, designed during Stella McCartney’s tenure at the house, to the Los Angeles premiere of Sense and Sensibility. Stylist Dani Michelle said the vintage look was central to a mood board inspired by Edgar-Jones’s character, Elinor Dashwood, and was sourced by Raffe Vintage.
Daisy Edgar-Jones wore a vintage Chloé corset set from the house’s Spring 1999 collection to the Los Angeles premiere of Sense and Sensibility, linking her red-carpet look to the film’s period setting and her character, Elinor Dashwood. The cream-and-purple ensemble was designed during Stella McCartney’s tenure at Chloé, and stylist Dani Michelle said it had been part of her visual planning for the actor’s press-tour wardrobe.
The look comprised a cream corset with floral detailing and a sweetheart neckline, paired with a coordinating two-tone skirt in shades of purple. A semi-sheer shawl rested over Edgar-Jones’s shoulders, while matching open-toe heels completed the outfit. Harper’s Bazaar identified the set as a piece from Chloé’s Spring 1999 collection; the report did not provide further information about its original runway presentation or current market value.
Michelle said on Instagram that she began planning the fashion story after seeing the film earlier in the year. “This 1999 Chloé by Stella McCartney was center of our mood board,” she wrote, adding that the vintage specialists at Raffe Vintage sourced the look. She described the collaboration as an effort to tell the story of Edgar-Jones’s character through present-day fashion.
According to the report, Edgar-Jones had expressed a wish to wear lavender in recognition of Elinor’s costumes. Michelle said the premiere look brought that idea to the final red carpet of the press tour. The outfit’s muted colors and corseted shape offered a period reference without being a costume replica, though that description reflects the styling approach rather than a formal statement from the film’s production.
A Vintage Look Tied to Elinor
The outfit brings together archival fashion and film promotion in a way that gives the premiere styling a direct narrative connection. Rather than simply choosing a vintage designer look, Michelle linked its color and romantic details to Elinor Dashwood, making the character’s wardrobe a reference point for Edgar-Jones’s public appearances around the film.
It also draws attention to the continuing use of vintage runway pieces on red carpets. The reported role of Raffe Vintage in sourcing the set shows how stylists can locate older garments for a specific visual brief. The source does not say whether the outfit was altered, whether it was borrowed or purchased, or how the vintage piece was preserved for the event.
For readers following the press tour, the appearance also serves as a closing look: Harper’s Bazaar described it as the final premiere in the run. Its significance is therefore both sartorial and promotional, connecting the film’s romantic period identity with a design from Chloé’s late-1990s history.
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From Spring 1999 to the Premiere
Stella McCartney’s Spring 1999 collection for Chloé is the identified source of the corset set. The source material does not give the collection’s wider design history, so the confirmed connection here is limited to the garment’s reported attribution and date. The look is described as a vintage piece, not a new custom design for Edgar-Jones.
Edgar-Jones stars as Elinor Dashwood in Sense and Sensibility, and the source says her press-tour wardrobe drew on Austen-era references, including corsetry and empire-waist shapes. At the Los Angeles premiere, the lavender tones were intended to echo Elinor’s screen wardrobe. Michelle’s comments make clear that the outfit was part of a broader styling plan, while the specific details of that plan beyond this look are not set out in the report.
“This 1999 Chloé by Stella McCartney was center of our mood board.”
— Dani Michelle, stylist, in an Instagram post
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Details Behind the Vintage Set
The report identifies the set as a look from Chloé’s Spring 1999 collection, but it does not specify its original runway model, exact materials, or whether the premiere outfit was modified. It also does not say whether Edgar-Jones wore the original complete set or whether any pieces were matched separately.
The source describes the Los Angeles event as the final premiere of the press tour, but gives no date for the appearance in the supplied text. It does not provide comments from Edgar-Jones, Chloé, or Raffe Vintage about the garment. Further information about its provenance, ownership, and sourcing process is not available in the report.
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The Press Tour’s Closing Look
Based on the source report, the Los Angeles premiere marked the final stop in Edgar-Jones’s Sense and Sensibility press tour, so no further event in that run is identified. The immediate follow-up is likely to be continued coverage of the film and its cast, but the source does not announce any additional appearances or fashion plans.
Any further details about the corset set’s provenance or how it was sourced would need confirmation from Michelle, Raffe Vintage, or Chloé. Until then, the established account is that Michelle selected the archival look for its place in her mood board and its connection to Elinor’s lavender wardrobe.
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Key Questions
What did Daisy Edgar-Jones wear to the Los Angeles premiere?
She wore a cream corset with floral detailing, a two-tone purple skirt, a sheer shawl, and matching open-toe heels.
Which collection was the outfit from?
The set was identified as part of Chloé’s Spring 1999 collection, from the period when Stella McCartney designed for the house.
Who sourced the vintage outfit?
Stylist Dani Michelle credited Raffe Vintage with finding the look. The report does not provide details about the sourcing process.
Why was lavender part of the styling?
Michelle said Edgar-Jones wanted to wear lavender to honor Elinor Dashwood’s costumes in Sense and Sensibility.
Was the set altered for the premiere?
The available report does not say whether the vintage corset or skirt was altered or whether the pieces were worn exactly as originally made.
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